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AUXILIARY PRODUCTS |
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The new MIR auxiliary line offers you a comprehensive range of top quality products. Used properly, they will guarantee a perfect finish and long-lasting protection for your most prized works. That is why we have provided you with tihis outline of their main uses, characteristics, application modes an precautions so you can make the correct choice and obtain the best results. |
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NEW IMAGE, PACKAGING AND LABEL
The new MIR auxiliary product bottles and labels enable you to recognise us at a glance. Complying with current European and Spanish standards on seals and tactile signs, the prectical and exclusive design will allow you to use the product directly or pour it out without its dripping down the sides. |
Tamper-proff seal and cap: ensures products which require it are child-proof.
Wide mouth: makes it easy to pour the product out or put the brush straight in.
Uses: a description of each product's main applications and the precautions required for correct use.
Precaution and hazard warnings: in compliance with the relevant standards, information is provided on risk level and hazard prevention precautions.
Pictograms: visual symbols clearly alerting users to a product's hazard level.
Embossed triangle: this is a tactile symbol warning the sight-impaired that the product is hazardous.
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O I L S |
ESSENCES | - Rectified turpentine oil - Petroleum spirit - Odorless petroleum spirit |
Used to thin colours and dilute varnishes. Useful for cleaning brushes and other painting tools. | |
| OILS | - Decoloured linseed oil - Decoloured nut oil - Poppy-seed oil - Standoil |
Reduce paints consistency, improve its flow, flexibility, brigthness and transparency. |
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| MEDIUMS | - Oil colour medium - Dutch varnish oil colour medium - Paste medium |
To enhance the adherence of paint to its support and to thin paint. |
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| SICCATIVES (DRYERS) | - Cobalt dryer - colourles dryer |
Increases the drying rate of oil colours. |
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| VARNISHES | - Oil colour classic dammar varnish - Oil colour gloss varnish - Oil colour mat varnish - Oil colour extra gloss varnish - Oil colour retouching varnish |
To protect paints from dust, dirt and moisture.. |
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A |
GESSO |
Primer that is used for preparing almost any type of surface. |
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| ACRYLIC MODELING PASTE |
To make reliefs and textures of uniform tones. |
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| ACRYLIC MEDIUM |
For increasing their flow, transparency, and gloss white reducing brush marks. |
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| ACRYLIC DRYING RETARDED |
Thouroughly mixed with acrylic paints up to a maximum of 10-15% it delays drying by about 10 minutes. |
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W
A T E R C O L O U R S |
SYNTHETIC OX GALL |
Increases paint flow and acceptance of water colours on paper. |
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| GUM ARABIC WATERCOLOUR MEDIUM |
Imports gloss, luminosity, and transparency when mixed with colours. |
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| MASKING LIQUID | To protect areas you don't want the paint to get on. | |||
| WATERCOLOUR, CHARCOAL AND PASTEL FIXATIVE |
To protect finish work. |
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O
T H E R S |
BITUMEN OF JUDEA |
To give works a patina or to imitate ageing. |
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| ARTNET |
Cleans oil paints from hands and painting accessories. |
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